something in the slum went rum-pa-pum-pum. this one is representing thugs ghetto side as we welcome one of the truest soldiers in the game. straight out of norway, dj sotofett, co-owner of the ground breaking sex tags mania / wania & sex tags amfibia labels. bumpin across the 12 inch ep features 3 remixes and 1 interlude as well as custom label graphics by so-phat aka dj sotofett. recordings based on original versions by nick anthony simoncino & mark rogers. remix & devious production, drum programming, digital editing and dubs by dj sotofett. casio vl-1, piano & mc-202 bassline in session by tapes. background vocals by paleo. recorded at 6th-eonmania-fract2 std. final production and mix at 6th-transwania- fract2 std, santiago, chile.

santonio echol is back with another release on detroit dancer. first track the intimate setting is a deep, warm & soulful techno production, b1 is a remix from the classic force field track which was originally released on kms back in the late 80s! here santonio gives it a warmer and deeper detroit feel to it. b2 is a collaboration with uks mike anderson on the vocals, again a warm, deep & soulful production, just as we like it. enjoy :)

shining are morgan zarate and acyde, a production/dj duo who decided to put the sum of their musicianship and influences together.

first remix single cut from latest eddie c album country city country . we invited two favorite new producers. one is italian edit master marvin&guy . after the big success of their record on let s get lost, they are into more original production. their remix is simply killer for dancefloor. brightest hope from australia tornado wallace reconstructed original of kraut rock oriented tune to excellent psychedelic slow mo house. it s for the fan of quiet village or andrew weatherall.

hypercolours latest release comes in the form of haggerston ep, a brand new release from label co-owner alex jones who drops a 3 track ep of proper dancefloor bombs heavy basslines, breakbeats & vocal samples all held together in jones unique production style.

wonder wet records is proud to announce the return of the production of one of the most eclectic and respected italian djs, claudio fabrianesi. esteemed in his hometown rome, where he plays every saturday for alchemy at the vicious club? two stylistically opposite songs, but with one thing in common: the quality. cosmic kabul, on side a, is a pearl for any cosmic genre lover, the track contains multiple musical influences and people will talk about it for a long time. warm reaction, on the b side, is a deep journey into a more mental techno, but with also groove. a record that will make the difference, an absolute must!

futureboogie recordings is proud to present the supremely skilled production force that is bruh jackman. a duo comprised of chameleon producer jabru and bass scene favourite, hackman, this devastatingly fresh debut ep also featuring rising star vocalist joel culpepper is one to mark out the futureboogie imprint as a last word in uk electronic talent. carving out a niche of their own, bruh jackman are set to make a huge impact in 2013 with their beautifully textured electronic music where fluid neo soul melodies and velvety vocals melt into vivid keys and contemporary bass science.

the story of bonobo is one that has become uncommon in contemporary music. there was no sudden, viral internet sensation, no one-off big hit, no abrupt, accidental alignment with the zeitgeist. instead, over the course of four albums, myriad tours, singles, remixes and production work for other artists, he quietly but very definitely became one of the most important artists in electronic music. the hard work paid off, and culminated in 2010s black sands, a masterful album that married greens inimitable melodic genius and musicianship to bleeding edge electronics, bass and infectious drums.
after a year plus of touring the hypnotic, extended live versions of black sands, he finally found time last year to embed himself in his new york studio and write his fifth studio album. now, in 2013, he stands ready to take things up yet another notch. the north borders is a long stride forward - both a natural evolution and a continuation of the electronic palette of black sands. thematic, resonant, addictive and perfectly formed, it is a thrillingly coherent statement piece.
heavyweight double 12 inch vinyl plus code for free mp3 download of the full album.

honorary rebel mathew jonson will soon be unleashing his long awaited third artist album on crosstown rebels but first a slice of the canadian minimal house pioneers inimitable style with two tracks of distinct tonal contrast both with the unique stamp of a jonson production.

hardworksoftdrink is a creative collective founded by twelve friends in 2012 faithfully representing the offenbach and frankfurt am main area. they work on a range of cross-discipline projects including music production. the first vinyl output of hardworksoftdrink named chup ep is focussed on muanda, one of the teams producers

hot price action!
kls008 sees klasse recordings welcome a new addition to the kls family, in the form of tel aviv based act, red axes (aka niv arzi and dori sadovnik). the bela ep is an impressive debut of percussive rhythms and skilled production, both original and unique.

after releasing two eps and utilising the broader canvas of their universally acclaimed debut album (sepalcure) to develop their collaborative project, the adroit drum-programming and production duo of sepalcure (travis stewart (machinedrum) and praveen sharma (braille/ praveen & benoit)) return after a year-long absence with make you, scheduled for release in april on their long-term home of hotflush recordings.

lyrics written by sabrina chyld and sy sez. lyrics performed by sabrina chyld. keyboards and drum programming by sy sez and gavin peters (aka aphrodisiax). mixed by toni ecomomides at garden studios, london. aa1 remix and additional production by ron trent for musicandpower. all tracks mastered at optimum mastering, london.

a double ep release from the classic music company, mixing together friends old and new from the label. recent signings to classic, no dial tone deliver their second original production to the imprint - standing still – a deep slow burning almost bjork-esq vocal record kicks off the a side. long time label cohort from the early bar rumba days, mathew herbert twists and turns the record into something completely herbert and ultimately classic in its make up. on the flip…long-time greenskeepers man james curd returns to classic with nothing short of a bump! gentle help is typical curd funk and now with added black madonna flavours. road tested relentlessly at the smart bar, the chicago native channels the essence of old dance mania records and funnels it into something typically a little left of centre. each track is uniquely different and recognisably classic.

chicagos dj rahaan comes correct on this latest release from dublin disco heads fatty fatty phonographics. dirtyboyz takes an old bobby o production and sticks a rocket up its arse, blending in rough chi-town beats and some vocals from another music box/warehouse classic for some proper peak-time dancefloor devastation. getting up and dance is the kind of string drenched disco-boogie that he laces throughout his epic club sets, with some fiery ron hardy style edits to drive em wild. clap your hands, stomp your feet, meanwhile, rounds it off beautifully, a summery dancefloor swinger with a hellishly catchy chorus and a bouncy groove that just wont quit.

clone royal oak with a killer release by headless ghost! a production alias of ripperton delivering three shit hot tracks. asking what the difference is between ripperton and his headless ghost production he said while the headless ghost is doing stuff intuitive, i see what you did there. not sure if we completely understand, but the intuitive thing makes sense while listening to the tracks. killer 3 track ep with a some sharp edged house music. tip!!

this release shows the diveristy of alixs amazing production skills and the end result is a spectacular four tracker that effortlessly glides us from the beautiful deep and warm vibes of no loss to the jittery vocal skills of treat me, via the analog gem bdrk and josh wink favourite champion sound. debuts dont get much better.

we are more thrilled to welcome the mighty thievery corporation. taken from their highly acclaimed album radio retaliation which was originally released on their label esl, el pueblo unido gets the remix treatment courtesy of miguel migs who delivers some creatively thoughtful reinterpretations of the song. with plenty of live instrumentation including a healthy dose of layered percussion and a smooth horn riff, warm synth chords and deep bouncing basslines are all showcased here along with cut-up and dubbed out vocal snippets for a balance of depth and dimension. high level production values, steady grooves, complex yet subtle arrangements and well crafted musicianship are all featured here in this lovely package.

deep down slam laid down a marker of quality house with their debut emission from washerman and james johnston earlier this year, and for their second release the label looks to the current strains of house goodness coming out of ireland. sligo pair brame & klansee collaborate on a double dose of forthright house shufflers with the alright ep, the title track demonstrates the duo to fully in line with the current vogue for 90s vocal house bumpers. complementing this, *they ll be* showcases their craft for infectious melodic hooks. washerman maintains his 100% deep down slam appearance record with a killer remix of the latter track, retaining the duos hooks and adding plenty of his own production personality to the mix.

boomchik is back with a 2nd release. si murray, one half of deep space orchestra, strikes out on his own with his other worlds project. solid basses and rattling percussion fuel an e.p. that gurgles with bright detroitesque finesse and variety that shifts between large almost basic channel feelings, to glitteringly precise house music. a five track release, full of floating pads and spacious reverbs take you directly to other worlds as lush strings and tight percussion patterns do exactly what they intend and trip you back to memories of warehouse days. murrays extremely tight production and musicality give this an edge that though reminiscent of the tones and feel of days gone by, has its feet firmly planted in the here and now.

jen teams up w/german producer marco nega (uq, batti batti). 2 mixes of jen’s “you will say” + 2 tracks by marco w/vox & addl production by jen.

the titles present on mosso004 both simultaneously develop the different, yet ever so complimentary, aspects of alejandros production. on one hand, his signature rhythmics make for some all important body fodder, while his honed synth programation gives way to the most reflective moments. some traits that are always recognizable in his live performance as well...

2nd single cut from his debut album respect yourself (endless flight cd 10/release on 18th march). title track is old school new york house style and his friend nicholas made more clubby version. it reminds the production of kenlou or house syndicate. nicholas remix is for all house djs.

matlocks finest rhythm plate resurface brandishing a new label in pressed for time, and what better way to inaugurate it than revisiting one of their key tracks. released back in 2002 on the mantis label run by atjazz, >lean part 2< was a wonderfully sleazy slab of deepness notable for the lascivious vocal hook that hung slinkily over the production throughout. it still sounds superb some 13 years on and is backed with an unreleased version that was done in the same period, along with deliciously freaky new >leaner< mix from the pair

adam jay’s “mediastinum ep” is the product of a near death experience turned into an opportunity to create. after experiencing acute trauma to the left lung, the artist was diagnosed with pneumomediastinum, the sounds featured in the production of this record were recorded in the intensive care unit at community east hospital in indianapolis. “inward” is a raw, stripped down stomper filled with anxiety and a pace of purpose. the a2 track, “terrible precision” brings an atmosphere of tension and darkness that drives the ep forward. the synth groove of “chatter” sits atop the recordings of medical monitoring equipment intended to alarm the listener. the unsettling dischord created is contrasted by a powerful low end groove. “concert of the machines” comes with an addictive half time broken beat groove. the warm, effected electric piano work plays off more alert sounds from the hospital room creating a chilled out vibe that is ideal for closing a set. already support from justin berkovi, nigel richards, gayle san, tony rohr, andrei morant, and brian kage.

orre releases a 12inch mini-album by the inimitable avrocar. cited by radiohead as a prime influence on their kid a album, they also did an acclaimed session for the radio show of the late john peel. the eight songs here are improvised sketches, referencing the psychedelic side of krautrock, harmonious sixties pop and lethargic post-punk. combined with a modern feel of rhythmic progression and production, avrocar effortlessly comes up with songs that are moody, but yet fit many moods. without pretension, straight to your heart and mind, avrocar is a band to be cherished.

acirnes musical background is rooted in her previous career as a successful vj: the world of visual arts exposed her to endless experimental sounds which shaped her vision and love for production.

besides their duo releases as el mundo & satori the netherland based producer team splits up for some solo releases. 3 deep groovy techy housetracks show the production skills of satori and shows the path he wants to walk as a solo musician.

after the great success of our first split ep series, feral cuts, bad animal invited a few of our friends to join our extended family and rework one of each original artists tracks. we give you the >house side< keeping it deep and proper with stunning reworks by joel alter and label-owner alland byallo. on the flip, the >techno side< markus suckut strips down >there you go< and whips back a hypnotic techno bomb. tanstaafl label co-owner john osborn beautifully redefines the groove of aartekts amazing >rolling energy< with the help of production partner eric goldstein and mix-down blessing from the mighty paul rose (scuba).

ambitus is ready to get vinyled. finally aconites latest production is now available on vinyl. the label mittel zum zweck comes up with the complete remix package - from hardfloor to michel laro via dominik schwarz. it is an explosive mixture between techno, acid and house.

after the massive success of ut015 undertones kcik off 2013 with another killer ep from nathaniel x this time under his vil-nx guise alongside long term production partner mr vil. as before they will be limited pressing on 180 gram vinyl and comes in a high quality printed sleeve

following his well-received animals ep with paola poletto on desolat in the summer 2012, loco dices imprint is pleased to welcome back francisco for a solo ep that sees him continue his fine production form.

in january we brought you a fantastic joint effort of australia?s emma louise and wankelmut, my head is a jungle - part 1, marking the young berliners second official production. now we laid the track in gui borattos hands, and the two remixes he came back with is nothing short of phenomenal.

hailing from australia, late night tuff guy has taken the edits world by storm with his tasty reworks of classic tracks from across all genres adding his own special touch to each production.
the first ep sees a selection of reworks hand picked by the man himself as a fitting start to the series. pressed on 12 inch vinyl with a hand stamped label and in a white card sleeve with paper inner. the first of many from lntg.

madteo (aka matteo ruzzon) creates music whose understatement is overwhelmingly compelling. an italian native who moved to new york city in the early 90s, madteo has forged a production style that casts techno, house, and hip-hop in a gritty, stripped-down subterranean murk. his keen ear for unusual tonalities and his inventive tweaking of rhythmic tropes lend his music a functionality that feels anything but perfunctory.

inspired in the past but rearranged in the future.this reference on drivecom is a tribute for all those sequential electronic music and synth pioneers mainly coming from the 70s. most of the tracks were recorded on the fly playing synths and keyboards in live mode specially for this production... and here we present aeon.

inspired in the past but rearranged in the future. this reference on drivecom is a tribute for all those sequential electronic music and synth pioneers mainly coming from the 70s. most of the tracks were recorded on the fly playing synths and keyboards in live mode specially for this production... and here we present aeon.

saveds latest offering is a single from berlin based artist burnski. appearing for the first time on the label earlier in the year with his incredible take on harvey mckays *the fall*, the talented producer delivers *lost in the zoo*.
the track is a real house bomb with a jackin disco feel, set across an evolving bass line and flourishing voices. over on the flip is a remix from dynamic duo, the martinez bros. using the original elements and adding their own unique production including an equally addictive bass line and trippy elements, they create a first rate remix that seals the package off perfectly.

david flores surfaces as audio injection with no key ep, two slabs of pristine techno for the new year. after owning 2011 & 2012 with over a dozen releases as truncate, audio injection flexes some production muscle to put out a sound that’s as huge as it is hypnotic. the a side features deep thought, a seven-minute obsession around a short melodic fragment that speeds at 130 bpm through a paranoid passage of beguiling rhythm. the b side features title track no key, a demolishing groove that builds and breaks but never lets go. machined percussion and tonal beats carve their way through an arena-sized rabbit hole with detail and dimension.

blue hawaii, arbutus records and many of their montreal counterparts all began with the same breath in early 2010. to date blue hawaii has released an 8 song ep: in may of that year, blooming summer (arbutus records 2010) was recorded following the pairs travels in central america. it frames a time of warmth and novelty, featuring dense female harmonies, tape saturated synths, guitars and drum machines. eventually ra- returned to her role in braids, touring constantly, while ag– moved to europe, treading deeper into dance music, electronics, and production. the two decided to make untogether in 2012, they began recording on new years day in vancouver and intermittently worked on the project until summer broke in montreal. the music followed their winter in canada, it became colder, more introspective. it again captured a time and place, but instead of a dense saturation of love and excitement, this record reflects the vast world of self-awareness and delicacy.

many missed the great 3rd romb release with the secret weapon of serge and mark du mosh, the b2 track by pawel kobak (psssst! we didnt tell you this!) the 4rth romb release also comes with a clear focus on the dancefloor and received strong support from guys like cos/mes, mark e, james priestley, disco dromo and others. romb again takes a stance for musical diversity, presenting a snapshot of the stockholm electronic music scene. great production, with tracks stretching from acid to more minimal house and techno, combining classic sounds with new ideas. get a copy while you can - only 200 copies pressed!

forget me not is a trio from bristol with a rich musical history and close association to the city from which they hail. as solo artists they have put out countless d&b 12 inches and now combine their forces into an even more powerful production outfit. and that is all we are telling you ahead of the release of their four track ep, stronger, on losing suki.

detail is 20 year old daniil marin from kiev, ukraine. initially influenced by technical itch, detail has carved out a niche for himself and stepped up his production skills to create world class dnb with dance floor production power. with releases already on c.i.a., proximity and support from noisia, the upbeats, break & klute and forthcoming releases on: symmetry, dispatch, utopia music & demand – detail is definitely a brand new talent soon to be on everyones lips. daniil is also a keen amateur health & fashion photographer and one day hopes to contribute to the readers wives section of fiesta.

ascs brand new imprint, diode, kicks off with 3 techno tracks. full of vibrance and the usual production nuances we have come to expect from asc over the years. solenoid is the lead track and gets straight down to business with no messing about. heavy kicks, keys laden with fx, and snappy percussion make this a firm floor tune. on the flip, we have the moody and sinister release, which flirts with darkness, and backing it up is the essential carrier. 3 standout tunes from a name synonymous with quality electronic music.

no.19 music looks to canadian production talent clayton steele for its latest single featuring two slabs of electronic excellence and a standout remix from dj t…

tropics a.k.a. chris ward first appeared on planet mu last year, following up two eps with the album parodia flare. commended by pitchfork for his lush soundscapes and hazy pop, whats clear with tropics is that he listens to a lot of dance music and he cares about production values. the synth and beat programming is as competent as anything out there, and he avoids lazy indie stylings and one button bontempi organ beats – his are crafted songs, much of the pleasure lying in his gift for dynamic arrangement, which is a joy amid rafts of useful formulaically assembled house tracks.
in common with the general post-financial collapse vibe there is less sunshine in this ep than before, and he has absorbed something from a year of intensive house music listening, but chris essential qualities remain a forward-looking wistfulness, hope beneath melancholy, something even more acutely needed now than before. oh look! here comes winter.

jupiter jazz is the moniker for production duo maceo plex and danny daze…

last year kyodai dropped breaking, which to date is the biggest selling release on local talk. now the brothers are back with in our opinion a future house anthem. the scene is a classic piano house cut that’s impossible to resist and together with one the coolest vocal samples we’ve ever heard we think this has the potential to go really big. when the breakdown drops we’re pretty sure everybody in the club will chant. but as if this was not enough we also got another big tune on the b-side. moving is the continuation of “breaking” and goes along the same lines with its crossover jazz styled house. once again kyodai delivers a supa solid house production with large jazz breakdowns and old school vocals that’s right up their with ”breaking”. this is also why we called it…breaking pt.2. kyodai is currently working on their debut album for local talk which is due later this year. they’re also travelling around the world with their amazing live dj set that we highly recommend. trust us when we say that these two brothers really now how to turn up the heat in a club…serious biz!

part two of the idjut boys mixes on file under disco sees the legendary uk dj and production duo drop a tab of acid in jkriv & the disco machines orange juice. with effects units set to stun and a course set for acid disco space … the idjuts work classic acid house elements into these mixes to produce an effect as strong as any dodgy microdot. and with the disco machines authentic disco vocals riding and floating on top of this hybrid blend the result is a truly wanged out and rather devastating piece of dance floor magic. pure idjut style! both cuts can be filed under acid disco and are made for heads.